by Raven Moonwood
It's
night and you're dreaming when before you stands an open door.
You step
forward and fall into it. You land on a very small island in the
midst of a restless sea.
The
sky is black but full of stars which shine so brightly that
everything appears sharp and clear. The sea around you is like ink
with a sprinkling of foam on the churning waves.
There
is only room for two people on the island and sharing it with you is
a dark skinned woman wearing magnificent robes of pale blue with bits
of pink and white. She is wearing scarves on Her head in an almost
Islamic style, that cover Her hair. You realize that you are naked,
and it's fine, but all that you can see of Her is Her face and hands
and bare feet.
“Who
are you?” you ask Her.
“Let
me tell you a story,” She says. Her English is flawless but it
might be a bit too perfect. You think that maybe She is from some
African nation. “Slavery existed in many nations, many times
around the world. It existed in Africa long before the Europeans
came, but the Europeans took people from western Africa, brought them
far from their homes, and sent them to work in the New World. Among
other indignities, these folks who became enslaved were told that
their old beliefs were primitive and savage and that they were to
become Christians and worship a new God, who was the Son and the
Father and the Spirit that was Holy. They were told that they could
pray to the Mother who was named Mary. Mary was known not only as
Virgin Mother, but as the Star of the Sea. In Her statues those who
were enslaved saw Yemonja, Yemaya, Imanje, their ocean diety. So
they began praying aloud to Mary, knowing that they were praying to
the great Ocean Mother.”
“Are
you Yemaya?” you ask.
“You
don't see, do you?” She says. “Perhaps another tale.” She
smiles and appears amused.
“On
the islands of Japan, many centuries ago, Catholic missionaries came
to preach and converted many folk. The emperor of Japan was furious
and forbade Christian worship on pain of death. But many converts
took statues of Kannon, the Japanese name for the bodhisattva
Kuan Yin, and
put tiny crosses on the back to remind them that they were praying to
Mary, though the statue was of Kuan Yin.”
“So,
are you Yemaya and Kuan Yin and Mary?” you ask.
“And
Tara and Gaia and Pachamama and Sophia and Shakti and Shekinah. I am
the Mother of Darkness, the nurturing mother of all that is chaotic,
creative, dark, rejected, messy, sinister, smelly, erotic, confused,
and upsetting. The Black Madonna, if you will.” Her smile widens.
If there was such a thing as compassionate mirth, that might well
describe the warmth that radiated from Her. “Perhaps a better
question you could ask is where you are.”
“Perhaps
I should,” you say. “Where am I?”
“This
is the Interstitium,
the liminal threshold that lies between.”
“Between
what?” you ask.
“Between
the known and the numinous, between the potential and the improbable,
between what is and what might be, between almost and not yet. The
waters that surround us hold all that is possible, yet all that is
possible is change. And you must change, for I am change.”
And
you see that the Mother is a doorway, a portal to the possible, and
you're not sure that you want to go there.
(To be continued tomorrow...)